Guitar, Voice, Ukulele Lessons at Boulder Guitar Studio

Lee Johnson Uncategorized 1 Comment

Guitar, Voice, Ukulele Lessons at Boulder Guitar Studio:

Guitar, Voice, Ukulele Lessons Boulder COHi, I’m Lee Johnson, owner, and instructor at Boulder Guitar Studio. First, I have 21 yrs FT experience creating custom lessons programs. Also, I have 100’s of pleased students ove the years. In addition, instruments include guitar, bass, ukulele, voice, dobro, lap steel, harmonica, music theory, songwriting, home recording and consulting. Finally, students can email me, or call 303 442 2379 to get scheduled.


Guitar, Ukulele, Voice Lessons Boulder CO:

My unique program is a balance between learning the “technical’ side of music and learning your favorite songs. I teach you the specific fundamentals, techniques and theory you need to become proficient at YOUR favorite songs and styles.




Guitar, Ukulele, Voice Lessons Boulder CO Description:

First, I start with basics if you are a beginner. Basics include tuning, how to hold the guitar, learning some notes on the neck. Next, we learn some basic chords, and I break down strum and picking patterns with detailed timing. This helps you get the rhythmic foundation you need. Also, you will use these skills when we learn your favorite songs. In addition, I even record practice tracks for you of your favorite songs at slower speeds to help you get the hang of it. As we progress, we start learning music theory, which you will apply directly, in figuring out songs. Finally, we can continue and get as advance as needed for you to reach all your goals.


3 Reasons to Take Lessons at Boulder Guitar Studio:


  1. First, the unique custom approach I use for all styles teaches you the specific skills you need to reach all your goals
  2. Next, I breakdown fundamentals, techniques and music theory in ways that are directly applicable to YOUR favorite songs and styles. There is no wasted time on topics you wont use
  3. Finally, I use recording technoloqy to play YOUR favorite songs, rhythm patterns, riffs, licks, and solos, at slower speeds. This allows you to master the technique correctly at slow speeds first, and then get it up to speed with the real version.


If you are looking for custom lessons for voice, guitar, bass, dobro, ukulele, lap steel, songwriting, home recording, or just need some consulting I hope you’ll consider talking with me soon! I can create a custom program to suit YOUR needs!


Thanks, talk to you soon!


call 303 442 2379

Website: Boulder Guitar Studio


See this video of the blog here: (its called a “vlog”)



Comments 1

  1. Biplab Poddar

    I like this so much 🙂 🙂 🙂 I’m currently working on the f# minor nocturne! they’re beautiful pieces.Don’t get me wrong, you have to be strong and confident to be successful in just about anything you do – but with music, there’s a deeper emotional component to your failures and successes. If you fail a chemistry test, it’s because you either didn’t study enough, or just aren’t that good at chemistry (the latter of which is totally understandable). But if you fail at music, it can say something about your character. It could be because you didn’t practice enough – but, more terrifyingly, it could be because you aren’t resilient enough. Mastering chemistry requires diligence and smarts, but mastering a piano piece requires diligence and smarts, plus creativity, plus the immense capacity to both overcome emotional hurdles, and, simultaneously, to use that emotional component to bring the music alive.
    Before I started taking piano, I had always imagined the Conservatory students to have it so good – I mean, for their homework, they get to play guitar, or jam on their saxophone, or sing songs! What fun! Compared to sitting in lab for four hours studying the optical properties of minerals, or discussing Lucretian theories of democracy and politics, I would play piano any day.

    But after almost three years of piano at Orpheus Academy, I understand just how naïve this is. Playing music for credit is not “easy” or “fun” or “magical” or “lucky.” Mostly, it’s really freakin’ hard. It requires you to pick apart your piece, play every little segment over and over, dissect it, tinker with it, cry over it, feel completely lame about it, then get over yourself and start practicing again. You have to be precise and diligent, creative and robotic. And then – after all of this – you have to re-discover the emotional beauty in the piece, and use it in your performance.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.